The rest of the camera – apart from a slightly redesigned lens amount – was essentially straight out of the Zorki playbook, right down to the fiddly, frustration-fuelling bottom loading. The camera’s small size and Art Deco styling helped betray its origins this tiny SLR was built on the body of a Zorki rangefinder, itself a faithful copy of the Leica II rangefinder from the 1930s.Įssentially, the only major difference to the neat little Zorki was the prism and mirror assembly, the mirror lowered into position on a piece of string which today looks like a remnant from another century. KMZ’s first SLR was the Zenit 1, produced from 1952 to 1956. When the Soviet camera producer Krasnogorsk Mechanicheskiy Zavod (KMZ) turned their post-war attention to making a 35mm SLR, they didn’t exactly start with a fresh drawing board.
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